Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts

Monday, 16 January 2012

Tonight I'll have one eye on the sky & one on the TV - Stargazing Live BBC2 & astronomical photography

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Stargazing LIVE BBC Two, 8.30pm, continuing tuesday and wednesday evening.

Tonight I'll be getting out my telescope once again to attempt to follow the lead of Professor Brian Cox and Dara O Briain, as they take us on a thrilling tour of the stars. This year Stargazing Live will be broadcast from the control room of Jodrell Bank observatory and tonight's episode will focus on our nearest neighbour - the Moon.

Check out their packed website for more information, clips and things to do. 





Star Photography

I haven't had much time to play with star photography but below I've posted a couple of shots that I'm fairly pleased with. Here's a useful photography tutorial from astronomer Mark Thompson.
Also see the Stargazing Live photo group.



A few of my recent attempts...

Explosion of stars over the Pantanal - i'm blown away!

Explosion of stars over the Pantanal, Brazil, Aug 2011 (6400 ISO). Like floating in space - mesmerising.

Beautiful array of stars over our camp. Goodnight universe!

I was filming a story about these trees in the Northern Woods of Maine and using the headlights of my car I was able to illuminate the trees for a second whilst capturing a several second exposure of the stars.

I was pleased to see ths shooting star when I looked back through my images...

Shooting star over our camp - made a wish that we would find and film a lynx!

Thursday, 11 August 2011

From Falcon to Feather Duster - Crested Caracara of the Pantanal

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The northern crested caracara is part of the Falconidae family of raptors. Unlike falcons however, caracara are not fast-flying aerial predators. Their long legs make them better adapted to walking and running on the ground where they hunt and scavenge anything from seeds and beetles to small birds and rodents. They're found throughout northern South America, and are a common sight amongst the open grasslands of the Pantanal. On my recent trip to Brazil we were staying at a research station in the heart of the Pantanal Matagrossense National Park. We had a few caracara who regularly visited to scavenge a meal. It's hard to believe that they're closely related to peregrine falcons, as they seem to have a sluggish nonchalant disposition and it's quite easy to get close to them.

Northern crested caracara in flight

Feeding Caracara-3.jpg

 A juvenile trying to break open a seed. Juveniles are paler brown with a lighter pink face while the adults are much deeper coloured.

From Falcon to Feather Duster

I was sitting on the porch of the research station when I saw clouds of dust puffing into the air from just over a hummock. I went to investigate and this is what I found...

Crested Caracara of the Pantanal-4.jpgNice day for a bath... got to keep these pert feathers free of parasites

Crested Caracara of the Pantanal-5.jpg
This spot looks peachy!

Dust Bathing Caracara-19.jpg Feet first...

Dust Bathing Caracara-10.jpg

Mmmm, cosy, lovely dust.

Dust Bathing Caracara-24.jpg
Dust Bathing Caracara-23.jpg
Dust Bathing Caracara-8.jpg
Oooh yes. That's crest tingingly loverly

Dust Bathing Caracara-4.jpg Rub a dub dub

Dust Bathing Caracara-12.jpg
Ta daa!

Dust Bathing Caracara-5.jpg
Check me out!

Monday, 16 May 2011

Face-Huggers of Slaughter Beach - Spawning Horseshoes & Frenzied Voracious Birds

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The horseshoe crabs are spawning, thousands of shorebirds are arriving, and I've finally found time to publish some photographs and video that I recorded when I visited Delaware Bay in 2008. We were filming for the  birds episode of the BBC series 'Life'.

The Mass Spawning

On a few nights every May and June, when the moon is full and the tide is at its highest, horseshoe crabs come ashore, emerging in their tens of thousands to spawn and lay their eggs in the sands along this protected bay. As the female heaves her bulky body up the beach she is not only burdened with the weight of up to 100,000 eggs but she's also dragging a male behind. Using a specially developed appendage he clasps on tightly, waiting for her to deposit the eggs before he can fertilise them. She doesn't put all of her eggs in one basket though,  and will return several times, with different males, before she's deposited all of her lot. During peak spawning times, the horseshoe crabs form dense huddles along the edge of the water, with 5 or 6 males grouped around one female. Its not unusual to see a conga-line of several males being dragged along.

I encounter the Face-Huggers of 'Slaughter Beach' 

The morning after the night before. Slaughter beach is strewn with the remnants of a spawning frenzy. Giant carapaces upturned like abandoned tanks on a WWII battlefield. Here I find the last retreating crabs heading back to the sea, and I discover that they bear an uncanny resemblance to the Face-Huggers of Alien.



Spawning Horseshoe Crabs, Slaughter Beach, Delaware Bay 4

A Glimpse into Prehistory

The spectacle of thousands of Horseshoe crabs is a sight that goes back 450 million  years,  right back to the Ordovician period. If, like me, you have a fossil  Trilobite sitting in your cabinet at home, you may have peered into its  petrified eyes imagining a long lost world - Horseshoe crabs are their  closest living relatives and so for a paleontologist its a real treat to  see these peculiar looking creatures emerging from the depths.




Me holding a large female horsehoe crab

The Feeding Frenzy

With billions of eggs being laid in a just a few nights its a huge injection of protein into the sand, and this is the stimulus for another of the worlds most awesome natural spectacles - over a million migrating shorebirds - Red Knots, Semipalmated Sandpipers, Ruddy Turnstones, and Sanderlings, all gathering to feed on these tiny beaches. When I visited in 2008 for the BBC 'Life' series, we focused on filming the knots. Over 16000 had arrived in late May after flying 7,000 miles from southern Brazil on their way to the breeding grounds of the Arctic. This is a critical stopover, and before they can complete the remaining 1000 miles they must double in weight, eating more than 135,000 eggs in less than a couple of weeks.

Sand Pipers and Red Knots

Sand Pipers and Red Knots 

Black headed Gulls and Horseshoe crabs

After a night of spawning gulls scavange on any stranded horseshoe crab carcasses

Red Knots & Sand Pipers

Sand Pipers, Ruddy Turnstones & Red Knots

Sand Pipers and Red Knots gather to feed

Being Part of the Flock

Each morning, as the tide retreated and the last of the crabs crawled back to the sea, more and more birds arrived to feed on the freshly deposited eggs. I and the crew would arrive on one of the tiny sandy islands to take our position in the midst of this feeding frenzy. It wasn't long before we were surrounded by a dense ocean of birds - thousands of knots, pipers and turnstones all tightly packed together. The only vacant space was a narrow strip of around half a metre around myself and the cameraman. There were a few hawks in the area which occasionally spooked the birds, every now and then the whole flock would take to the air en masse, circle around the island and land again. The sound and breeze from thousands of tiny flapping wings was exhilirating. It's the closest I've ever come to being part of a flock. Using the high-speed Phantom camera we were able to film some beautiful shots showing them in ultra slow motion (see the clip below).
Filming with Sand Pipers

Waiting for lift-off

Red Knots & Horseshoe Crabs-16-2.jpg


Red Knots & Horseshoe Crabs-14-2.jpg
The sound and the breeze from their wings was exhilirating

Sound Recording Red Knots.jpg

I was able to record sound of the feeding birds by leaving the boom in the middle of the beach and trailing a long cable back to where I was sitting. I used a few dead crabs to help camouflage it!

A short clip from the BBC Series 'Life'

More of my Photographs


Wednesday, 31 March 2010

BBC Wildlife Photography Masterclasses

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For photography masterclasses on everything from mammal portraits to capturing birds in flight visit the BBC Wildlife Magazine website

Friday, 23 October 2009

Photography: Ranganthittu Bird Sanctuary

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Ranganthittu Bird Sanctuary (Kannada: ರಂಗನತಿಟ್ಟು ಪಕ್ಷಿಧಾಮ) is a Bird Sanctuary on the banks of the Kaveri River, Karnataka, India.

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Photography: The hungry Panther chameleon

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Lying 250 miles of the coast of Africa is the tropical island paradise of Madagascar, a biodiversity hotspot which is home to half of the world's 150 or so species of chameleons. I've been a fan of one species in particular since I filmed them for 'Life in Cold Blood' back in 2007, you may also have seen them demonstrate their unique feeding technique during the recent amphibians and reptiles episode of 'Life' on BBC One. The species is Furcifer pardalis, the Panther Chameleon - perhaps the most beautiful of all chameleons. It's also one of the largest in the world, with males growing up to 20 inches (50 cm) long (more than twice the size of their female counterparts).

The males are not only larger but are much more extravagantly coloured than the females and can be found as one of a myriad of different colour-morphs - each betraying their geographical origin. The subjects of my photographs are found in the Antsiranana and Sambava areas where they are a blend of red, green or orange. If you were to encounter a male lurking in the lush vegetation of Nosy Be or Ambanjathe you might think it a completely different species for these individuals are vibrantly blue. There are many other colour types and patterns found across the island making Panther-spotting a real treat. The Females however remain a much less exciting tan and brown colour - and so along with their diminutive size are much trickier to spot.

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Here's the clip from 'Life in Cold Blood'.

Monday, 31 August 2009

PHOTOGRAPHY: Arizona Desert Wildlife

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A day photographing wildlife at and near the world famous Arizona-Sonoran Desert Museum.

Saturday, 25 July 2009

Daroji - Kingdom of the Sloth Bear

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I visited the Daroji Sloth Bear sanctuary in central south India. This 5000 hectre reserve has the highest density of wild sloth bears anywhere on the planet and so you'd think that I'd have a good chance of seeing one.

Arriving in Daroji My mind is immediately transported to the American  wild west - it could be the Majave desert of California. Big sky and big landscapes, strewn with huge wind sculptured sandstone blocks. If Star Trek had been produced in India then this would have been the setting for many of Kirks memorable encounters. It was to be the setting of one of mine. Dry desert was certainly a relief from our travels in the monsoon drenched mountains - I was grateful for a bit of rainshadow relief - The mountains themselves blocking the rains from reaching this far east. As we surveyed the vista at the heart of the sanctuary six giant sandstone tors betrayed the location of the sloth bear dens and right in the midst of them was a monolithic sandstone platform - an arena of sorts where the park wardens liberally scatter honey. This attracts bears to the exposed outcrop and in doing so it attracts keen bear watchers to a viewing tower a mile away. It may sound like a controversial thing to do for otherwise 'wild' bears but as the park warden, Mr Ravindranath told me 'This is all for conservation and preservation of the sanctuary and the bears'. The public pay to protect the bears habitat and the bears don't really complain about having honey on tap. Mr Ravindranath wears his military looking uniform with pride and basks in the glory of being a one man operation caretaking this highly regarded reserve. He has local people working for him but with fewer officials he has escaped much of the beurocracy that often clogs projects of such magnitude. As such he seems relaxed and in high spirits talking about his three successful years as boss. 'We have over a 120 bears here' he proudly boasts 'many of which have been rescued from other areas and introduced to the sanctuary'. 'it's a safe haven working closely with the local people to ensure it's
future'.

 On the orange sandstone the dark sticky patches of honey glint in the sunshine, a treasure which beckons hungry Sloth Bears to stumble out of the wilderness every afternoon for their Public appearance. We found a convenient bush a few metres from the platform, and parked our jeep behind it. Over the course of a few hours we saw mongoose come and go, peacock and painted spur fowl all eager for their share  of the honey. Five-lined squirrels somersaulted between boulders - almost defying gravity in their 'matrix' style moves to get to the goods before anyone else.

Ruddy Mongoose grabbing a lick of honey

Then in the distance we saw a tuft of black hair appear from behind a boulder. The fidgeting squirrels and mongooses paused, looked up and then dissapeared. Bobbing up and down the dark tuft came closer and closer until it waddled into view. Our first sloth bear, a young male and looking hungry for honey. His long soft snout was hard and crinkled to the ground and I could immediately see the resemblance to a pig snorting in a trough. He was completely engrossed in his mission for food. Upon reaching a nice patch of honey you could almost see the satisfaction as he adjusted his posture, sitting almost cross-  legged and bent over, to be as intimate as possible with the object of his desire. Now and then he would stand up and mosey across to a new patch of honey. Swaying as he went like a big furry John Wayne - a  site befitting of this wild west backdrop. Not a care in the world the bear was completely oblivious to our presence.

Sloth Bears have really poor eye sight and can barely see further than10 metres so as long as we remained still and silent we would be able to observe the bears in all their slobbering glory. We did hide our chocolate however as a quick whiff of that might have caused a stampede. Occassionally our young male surfaced for a breather, raising his nose and opening his mouth like a panting dog. He was tasting the air and I wondered if he could detect the strangers in his midst. If he could then he must have decided that he had more important matters to attend to and chowed back down. While he took a sniff directly in my direction I caught a superb view of his strange dentures. Other than threatening looking canines he has less teeth than a pensioner - missing his upper incisors completely. An adaptation for getting closer to food, especially for getting access to their favourite delicacy - termites. This is also where his vicious looking four-inch claws come to play. Upon discovering a termite mound those claws are the ideal tools for tearing it open. Then all he has to do is shove in his muzzle and suck like a Hoover. The sounds can be heard from hundreds of metres away. He was entertaining us with a range of sounds that I've only ever heard before in a gents loo - and like a gents loo a few more individuals eventually appeared and joined in the chorus.
 
 Sloth Bear tasting the air

Now there were four bears greedily feeding just a few metres away from us. Their individual characters were coming to the fore. One particularly large male seemed to really enjoy scratching and rolling on the floor - every now and then he would clumsily back up to a boulder and comically rub his backside on it - reminding me of Balloo in the Jungle book. The smallest of the four bears just wanted to play - probably a bit high on all the sugar. He lumbered over to another feeding bear and unexpectadly pounced on him, bearing his teeth - it could easily be mistaken for aggression but I could see my younger self and my brother in this interaction, and how we used to fight just for the fun of it. When he had finished teasing one bear he quickly switched to another, and it continued for the best part of an hour, by which time the sugar rush had probably worn off and he tuckered down once more.

 
Sloth bear rubbing his backside against a boulder

They really do lull you into a false sense of security - Sloth Bears look so harmless, their expressions so goofy, and yet they are considered more dangerous than Tigers and Elephants. 'When they are cornered they strike back in self defense - using their claws and teeth as weapons' said Sammad of the Sloth Bear rescue centre. 'Most dangerous encounters happen when you suddenly run into one and surprise it - because their eyesight is so poor they don't realise until you're right up close.' Sammad has rescued more than seventy bears in the past ten years. Often he gets a call from a panicked villager who has found a bear rummaging through his house, or has become trapped in barbed wire. On one occassion a confused bear who had found himself in the centre of a village chased a woman into a school - the fast action of one man got the children out and trapped the bear inside where it went bonkers. 'the only imjury on that occasion was a gouge to the mans face. It could have been more serious' he admits 'It was a huge difficult operation to safely rescue him - he's now doing well having been moved to Daroji'. 'This sort of thing was happening more and more' Sammad told me reflecting on 10 years of change 'as farmers encroached onto the bears natural territorytheirs would be problems'. This is why the sanctuary was setup - simpy to give bears somewhere to live in peace.

Most of the sloth bears Sammad has rescued have been from the brutal art of bear dancing - a traditional livelihood which has been practiced in rural india for centuries but which has been illegal since the wildlife protection act of 1972. Yet until very recently during the breeding season bear poachers would wait outside a den for the mother to leave in search of food for her young. They would swoop in, grab and bag the young cubs and sell them for less than 30,000 rupees (about 350 pounds) to Kollanders, the traditional bear dancing community. 'Here they begin a life of pain and discomfort.' Sammad told me, 'After a few months their canines are ripped out, their claws are clipped, males are castrated and a red hot iron is used to pierce their sensitive nuzzle through which a coarse rope is threaded.' it is the pain of pulling on this rope that makes them dance as they are dragged from village to village and made to perform, standing on their hind legs and used as puppets on a string. All the while enduring severe pain and punishment. 'they are severly malnurished and are only given the very poorest food to survive on' says Sammad with a tear in his eye 'when we rescue them they are in really bad shape'.An awareness of the plight of the dancing bears amongst rural people has really helped Sammads mission. 'People might fear the bears but they also value them - they play a part in Hindu mythology and are considered sacred.'  According to local lore this is their empire and it is where the king of the Sloth Bears married the daughter of one of the gods.

It's easy to victimise the Kollanders but we should remember that they have been dancing sloth bears for generations - a profession which is passed from father to son. It's a difficult chain to break but rather  than criminalise individuals the government now offer them a package of aid to help change to a more respectable livelihood. Thanks to this united effort Sammad is pleased to tell me that 'soon the dancing bear profession will be over for good'.

The rescued bears can never be released into the wild, instead they live out their days in peace at one of the four sloth bear rescue centres. My next visit would be to one of these centres based just outside of Bangalore.

Sent from my iPhone

Monday, 22 June 2009

PHOTOGRAPHY: Filming on Yap, Micronesia

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Filming for the BBC Science series 'How Earth made us' coming to BBC2 in 2010.

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PHOTOGRAPHY: Prague Photoblitz

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Thursday, 13 November 2008

OMG! - Red Cam finally announce their pant-wetting Digital Still and Motion Camera System

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I was looking all over www.red.com trying to find any glint of what today's announcements might have been - but to no avail, so a fellow Red enthusiast 'CJ' pointed me in the right direction with this enthusiastic summary...

'This looks, frankly, astonishing if it ever materializes in the field. In effect it's an SLR and a video camera... but equally good at both given the modular nature. And, at the moment a 9K video camera able to shoot at 50fps... and is also a 65MP still camera!!! And in 2010 (apparently) Red will launch a 28K video camera capable of 25fps... which is also a still camera of 261MP!!!!!!!!!!!!! OMG... there will be some seriously wet pants amongst the camera community about this one!'

For the more technically inclined amongst our readers check out the write up from Engadget...
"After a morning of drip-fed images, RED just went official with its DSMC (Digital Stills and Motion Camera) System. The system starts with your choice of the professional Scarlet or "master professional" EPIC brains which can then be bunged into about 2,251,799,813,685,248 possible camera configurations, RED only half-jokingly chides. The brains are built upon Mysterium-X and Mysterium Monstro sensors which start at 2/3-inch and end at a whopping 6x17-cm -- when a new sensor comes out you just upgrade the brain. Scarlet will launch in 4 choices ranging from $2,500 (and possibly less) to $12,000 with a variety of lens mounts (yes, Canon and Nikon) capable of shooting 3K @120fps on up to 6K @30fps. Epic will offer similar mounts with capabilities spanning 5K @100fps ($28k) to 9K @50fps ($45k) -- a 28K system hitting 25fps is expected in 2010 for $55k. Still image resolutions will range from 4.9 megapixels to a freakish 261 megapixels. The first Scarlet systems could come as early as Spring of 2009 while EPIC should arrive by summer. Of course, the brain is just the beginning of the costs. RED also introduced a 3D camera configuration today in true, "one more thing" fashion."
Read more at Engadget

Tuesday, 11 November 2008

21.1 MP 5D Mark II: with full HD video capture - Totally Awesome

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I've been looking to upgrade my old DSLR and my good friend Kalyan Varma, an excellent Indian wildlife photographer (currently exhibiting at William Goodenough College in London) suggested I take a look at the EOS 5D Mark II.

WOW - could this be the future of Wildlife cinematography? A digital SLR that can record full 1080 HD at 30 frames per second. Full HD on a camera that I can actually understand and operate. Sounds too good to be true?

The official specs state upto 12 minutes of continuous recording, or up to 24 minutes shooting SD on a 4GB memory card. The largest CF card currently available is 32GB so I expect that with this to hand you should be able to record over an hour and a half (96 minutes) of HD video - SWEET!

Compact, lightweight and with environmental protection the 5D could be the perfect camera for your next remote film shoot. Just pop it in your backpack with a couple 32GB cards and you have more than just a 'making off' or second camera, this has the potential to be your primary camera. (Amendment: See here for a film shot entirely using this camera)

Allowing use of the full range of Canon SLR lenses, timelapse functionality and now full HD video capture. Priced at an amazing £2,299 (compare his to the high-end professional HD cameras which can set you back between £30,000 and £45,000) what more could you want?

"Easily the most anticipated camera in the galaxy, Canon's 5D Mark II is official, and officially excellent." - Gizmodo

EOS 5D successor boasts a newly designed Canon CMOS sensor, with ISO sensitivity up to 25,600 for shooting in near dark conditions. The new DIGIC 4 processor combines with the improved CMOS sensor to deliver medium format territory image quality at 3.9 frames per second, for up to 310 frames.

Key Specifications:
  • New 21.1 Megapixel CMOS sensor with improved EOS Integrated Cleaning System (E.I.C.S.)
  • New Full HD 1080 resolution movie recording
  • 3.9 frames per second continuous shooting
  • High performance DIGIC 4 providing superb image quality
  • Maximum 310 large JPEG images in a single burst with a UDMA card
  • 3.0” VGA (920k dots) Clear View LCD
  • ISO 100-6400 (expansion from 50 up to 25,600)
  • 9 AF points + 6 Assist AF points
www.canon.co.uk

I'm drooling in anticipation - I can't wait to try this beauty and see if it lives up to all the expectation.

Tuesday, 8 July 2008

Photography: Filming Barnacle Geese on Svalbard

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Filming Barnacle Geese on the Arctic island of Svalbard for the BBC One series 'Life: Extraordinary Animals, Extreme Behaviour' by David Attenborough.

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Tuesday, 3 June 2008

Photography: Red Knot Migration & Horseshoe Crabs

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Shorebirds flying at Mispillion Harbour, Delaware


Watching for Red Knots with the Delaware Shorebird project


Me and cameraman Michael Male filming spawning horseshoe crabs


Me with a large female Horseshoe Crab

Wednesday, 30 April 2008

Awesome 360 panoramic city scapes with aerials

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If you love 360 panoramics then check this out. This is exactly the kind of thing I've been wanting to do when out filming in some spectacular location.

360 panoramics mapped onto each other so you can jump from one view point to another, including 360 aerials. They are viewable in Flash or QuicktimeVR

The Las Vegas one is so immersive I could waste hours just jumping around. If it incorporated a soundscape it would just blow me away.

http://bigeyeinthesky.com/

Tuesday, 9 October 2007

BBC "How we built Britain" and the amazing Microsoft Photosynth

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Microsoft's Photosynth is a very exciting application being developed by Microsoft. I have been eagerly awaiting them to complete their technical trial for months so I can have a play!

How Microsoft describes Photosynth:
"Our software takes a large collection of photos of a place or an object, analyzes them for similarities, and displays them in a reconstructed three-dimensional space.

With Photosynth you can:
* Walk or fly through a scene to see photos from any angle.
* Seamlessly zoom in or out of a photo whether it's megapixels or gigapixels in size.
* See where pictures were taken in relation to one another.
* Find similar photos to the one you're currently viewing.
* Send a collection - or a particular view of one - to a friend.

See a video tour of the photosynth here

How We Built Britain
The BBC managed to jump into bed with Microsoft very early on for the online proposition of “How we built Britain”. The website which accompanies the TV series takes thousands of images from tourists submitted to flickr, to build a three-dimensional panorama that you can pan and zoom into.

You can still upload pictures to Flickr to join in.

Visit the website to view some of the first Photosynthed images here.

The site includes a wide range of modern and classical buildings from around the country, everything from the Royal Crescent in Bath to the Blackpool Ballroom. Photosynth for the first time allows photography to really capture the scale of a location and reflect the true magnificence of some of our greatest buildings.

The next time you visit a National Trust property remember to snap like crazy so you too can make the best of Photosynth.
I might just need to get myself a few more memory cards.

- Paul Williams

Thursday, 6 September 2007

2D to 3D photos - & an easy way to create true 3D images

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I was playing around with different ways to create 3D content for my new Video glasses and I came across this software Digital 3D Photos - one of the coolest and easiest piece of software that i've played around with in a long time. It turns a 2D image to a virtual 3D image (so long as you have the 3D glasses or video goggles - the video glasses provides a much clearer and less dizzying image as it eliminates the haze of red and green that is associated with wearing the R&G 3D glasses) - see images below.
















I also came across a neat little camera attachment that can help you make true 3D images - Photo 3-D. This is Simply a little base plate that you use to move your camera from left to right quickly while taking 2 photos. You then import these two images as left and right stereoscopic stills into the software and hey presto a picture you can almost jump in to.

Friday, 22 June 2007

Tuesday, 16 January 2007

Picasa - a handy tool to help you manage your images

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Picasa is another great way to help you manage the unweilding array of folders in your main production folder. Install Picasa and it will automatically search for and start managing all the images and many of the video clips on your computer (and shared production folder - if you set it to look there). Every time you open Picasa, it automatically locates all your pictures (even ones you forgot you had) and sorts them into visual albums organised by date with folder names you will recognise. You can drag and drop to arrange your albums and make labels to create new groups. Picasa makes sure your pictures are always organised.

Like the Microsoft Office Picture Manager that most BBC desktops now have, Picasa also has useful editing tools and one-click fixes. With Picasa you can also email, print photos at home, make gift CDs, instantly share via Hello, and even post pictures on your own blog.

Top Tips & Agencies - Taking photographs to sell

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Very few people remember to take VERTICAL as well as horizontal, useful format, especially for magazines (front covers)

Know something about the subject you are taking – with knowledge comes an understanding of behaviour, for example the comfort zone an animal has.

To enter local and national competitions, they are very much open to all and can serve as an opening with an agency should you wish to pursue being represented

* Take advantage of any location you go to and do research before you get there – if you are part of a team find out if any stills are required, ask Worldwide directly they will always be able to advise you what they’d ideally like.

* Keep your eye out for what images you do see around you – in magazines, newspapers, exhibitions, internal publications within BBC. You’ll start to get a feel for what might work, what format, styles, concepts.

* Take your camera with you wherever you go!

Having said all this however nice it is to sell an image it shouldn’t detract from the enjoyment you had in taking it in the first place. A great image is one with which you’re pleased.

Agencies that you may like to refer to:

www.bapla.org.uk
The British Association for Picture Libraries in the UK – for all you need to know about picture agencies, finding a resource, jobs going in the industry and much more.

General agencies:
www.gettyimages.com
The world’s most famous image collection covering just about everything you could ever think of that might sell. Great for ideas for what commercial photography is out there, very useful to compare what they content they have for Rights Managed imagery (an image is sold for a one-off usage) compared to Royalty Free imagery (an image is sold for a price and can then be used in any way for however long as many times as client wishes).
www.corbis.com(second largest collection online)

www.alamy.com
The fastest growing image collection online, very useful for individuals who do not have enough content to join a specific agency or who are trying to get a foot into commercial photography. The advantage is that anyone can put their images online (with certain restrictions) the disadvantage is that internal competition is high, for example search on ‘elephant’ you and will get over 12,000 hits.

Natural History specialist agencies:
www.naturepl.com
Used to be the BBC NHU Picture Library.

This is BBC Bristol’s main source of imagery and down at 15 Whiteladies Road – well worth a visit if you would like to see how an agency works, get feedback on your images, see what content they represent, get a copy of their current Wants List.

www.mindenpictures.com
based in USA, the most impressive array of world famous nature photographers, many of which grace National Geographic pages. If you want first class inspiration this is a good place to start.
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